Haegue Yang: Coordinates of Speculative Solidarity (detail), 2019, site-specific wallpaper.
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Image Credit: Courtesy the Bass, Miami Beach/Photos Zachary Balber. -
Image Credit: Courtesy the Bass, Miami Beach/Photos Zachary Balber. Haegue Yang: Coordinates of Speculative Solidarity (detail), 2019, site-specific wallpaper.
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Image Credit: Courtesy the Bass, Miami Beach/Photo Zachary Balber. View of Haegue Yang’s exhibition “In the Cone of Uncertainty,” 2019–20, showing the installation Boxing Ballet, 2013–15.
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Image Credit: Courtesy Museum Ludwig, Cologne/Photo Šaša Fuis. Haegue Yang: Mountains of Encounter, 2008, aluminum venetian blinds, rope, spotlights, floodlights, and cables, dimensions variable.
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Image Credit: Courtesy Goetz Collection, Munich. Haegue Yang: Towel Light Sculpture—Budget Discipline Towards 900 Euro, 2012, clothing rack, light bulbs, cable, zip ties, nylon cord, and mixed mediums, 755/8 by 345/8 by 331/2 inches.
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Image Credit: Haubrok Collection, Berlin/Photo Lawrence O'Hana Gallery. Haegue Yang: Storage Piece, 2004, wrapped artworks, palettes, audio player, and speakers, dimensions variable.
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Image Credit: Wiens Verlag. Haegue Yang: Grid Bloc Square—Five Folds, 2017, artist’s book, offset print on graph paper pad, 72 pages.
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Image Credit: Photo Daenam Kim. View of the installation Sadong 30, 2006, light bulbs, strobe lights, mirror, wood piles, IV stand, and mixed mediums.
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Image Credit: Courtesy Documenta (13)/Photo Krzysztof Zieliński. Haegue Yang: The Malady of Death—Monodrama with Jeanne Balibar, 2012, performance, approx. 70 minutes; at the Staatstheater Kassel, Germany.
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Image Credit: Courtesy Galerie Barbara Wein/Photo Ketty Bertossi. Haegue Yang: Knotty Spell in Windy Acoustical Gradation (detail), 2017, clothing rack, turbine vents, jute twine, nylon cord, knitting yarn, bells, vintage jewelry, and mixed mediums, 763/4 by 341/2 by 341/2 inches overall.Knotty Spell in Windy Acoustical Gradation (detail), 2017, clothing rack, turbine vents, jute twine, nylon cord, knitting yarn, bells, vintage jewelry, and mixed mediums, 76 3/4 by 34 1/2 by 34 1/2 inches overall.
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Image Credit: Haegue Yang: The Intermediate – Dragon Conglomerate, 2016, Haegue Yang: The Intermediate – Dragon Conglomerate, 2016, artificial straw, steel, powder coating, casters, and plastic twine, 707/8 by 451/4 by 451/4 inches.
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Image Credit: Collection Miyoung Lee and Neil Simpkins/Courtesy Greene Naftali, New York. Haegue Yang: The Intermediate—Pair Incarnate, Gwynplaine and Ursus, 2015, artificial straw, steel, casters, plastic raffia, string, bells, and Korean bridal crowns, 86 5/8 by 43 3/8 by 35 1/2 inches.
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Image Credit: Photo Denis Doorly. View of the exhibition “Haegue Yang: Handles,” 2019, at the Museum of Modern Art, New York.