In the Studio: Betye Saar 1

View of Betye Saar’s studio, 2019. Photo Evan Strang.
View of Betye Saar’s studio, 2019. Photo Evan Strang.
Betye Saar: The Liberation of Aunt Jemima, 1972, mixed mediums, 11¾ by 8 by 2¾ inches. Berkeley Art Museum and Pacific Film Archive. Courtesy Roberts Projects, Los Angeles.
View of Betye Saar’s studio, 2019. Photo Evan Strang.
Sketchbook, 2001, ink on paper, 3 1/2 by 5 5/8 inches.
View of the exhibition “Betye Saar: Uneasy Dancer,” 2016–17, at the Prada Foundation, Milan. Photo Roberto Marossi.
View of Betye Saar’s installation The Alpha and the Omega, 2013–16, at the Prada Foundation, Milan. Photo Roberto Marossi.
View of Betye Saar’s studio, 2019. Photo Evan Strang.
Betye Saar: Black Girl’s Window, 1969, wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine, 35 3/4 by 18 by 1½ inches. Museum of Modern Art, New York.
Betye Saar: Lost Dimensions of Time, 1988, mixed mediums, 14¼ by 7½ by 1 inches. Courtesy Roberts Projects, Los Angeles.