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“Déjà Disparu” at Pearl Lam Galleries. Sara Wong: City Monument/Monument City (Detail), 1998, 4 stainless steel platforms, silk-screen map, low-speed motor, 41 1/3 by 55 inches. Courtesy Pearl Lam Galleries.
“Great Crescent: Art and Agitation in the 1960’s—Japan, South Korea and Taiwan” at Para/Site. Minoru Hirata: Hi Red Center’s Dropping Event at Ikenobo Hall, Tokyo, October 10, 1964. Copyright Minoru Hirata, Courtesy of Taka Ishii Gallery.
“Mobile M+: Inflation!” at West Kowloon. Tomás Saraceno: Poetic Cosmos of the Breath, 2012, foil membrane. Photo by Nicholas Tse.
Lanwei by Stanley Wong aka anothermountainman at Blindspot Gallery Central and Blindspot Annex. Wong Chuk Hang. anothermountainman: Lanwei 56/Wonderland 07/ Beijing, 2012, archival inkjet print, 54 3/4 by 43 3/4 inches. Image courtesy of the artist and Blindspot Gallery.
Lanwei by Stanley Wong aka anothermountainman at Blindspot Gallery Central and Blindspot Annex Wong Chuk Hang. anothermountainman: Lanwei 18/The Beauty/ Taipei, 2008, archival inkjet print, 54 3/4 by 43 3/4 inches. Image courtesy of the artist and Blindspot Gallery.
“Mobile M+: Inflation!” at West Kowloon. Paul McCarthy: Complex Pile, 2013, inflatable sculpture, 51 by 110 feet. Photo by Nicholas Tse.
Song Dong: 36 Calendars at ArtisTree arranged by Asia Art Archive and M+. Courtesy of the artist and Asia Art Archive.
Song Dong: 36 Calendars at ArtisTree arranged by Asia Art Archive and M+. Song Dong: 36 Calendars, 2011-12, pencil. Courtesy of the artist and Asia Art Archive.