
Francis Picabia: Intervention of a Woman by Means of a Machine, 1915, pencil, watercolor, and gouache on paper mounted on cardboard, 29 7/8 by 20 1/8 inches.
Francis Picabia: Intervention of a Woman by Means of a Machine, 1915, pencil, watercolor, and gouache on paper mounted on cardboard, 29 7/8 by 20 1/8 inches.
“Dada Will Get You if You Don’t Watch Out: It Is on the Way Here,” published in the New York Evening Journal, Jan. 29, 1921.
André Raffray: Chez Arensberg, 1981–84, gouache and tempera on paper, 15 by 28 inches.
The Baroness Elsa von Freytag-Loringhoven and Morton Livingston Schamberg: God, ca. 1917, wood miter box and cast iron plumbing trap, approx. 15 3/8 by 11 5/8 by 4 3/4 inches.
The Baroness in an undated photograph.
Baroness Elsa von Freytag-Loringhoven: Limbswish, ca. 1917–19, metal spring and curtain tassel, 18 inches tall.
A drawing by Edward Steichen on the back cover of the March 1915 issue of 291, edited by Alfred Stieglitz, with contents determined by Marius de Zayas.
Man Ray: Orchestra, from the series “Revolving Doors,” 1926, color pochoir on paper, 21½ by 15 inches.
Charles Sheeler: Interior of the Arensberg Apartment, ca. 1919, gelatin silver print, 7½ by 9½ inches.
Katherine S. Dreier: Stonington Harbor, 1923, oil on canvas, 24 by 43 inches.
Marcel Duchamp: Roché, 1917, pen and ink on paper, 8 7/8 by 5 3/4 inches.
Beatrice Wood: A Little Water in Some Soap, 1917/77, glazed earthenware, heart-shaped bar of soap, 11¾ by 9¾ inches.