Replica of Rodchenko’s installation Workers’ Club, International Exhibition of Modern Decorative and Industrial Arts, Paris, 1925/2017, wood, approx. 12 by 32 by 18 feet, in “Revoliustiia! Demonstratsiia! Soviet Art Put to the Test,” 2017–18, at the Art Institute of Chicago.
Natalia Pinus: Woman Delegate, Worker, Shock Worker, 1931, lithograph on paper, 40 by 27¾ inches. Courtesy Ne boltai! Collection.
Still from Cauleen Smith’s Three Songs about Liberation, 2017, 16mm film transferred to video, 9 minutes, 27 seconds. Courtesy Smart Museum of Art and Corbett vs. Dempsey, Chicago.
Aleksandr Rodchenko: Non-Objective Painting no. 80 (Black on Black), 1918, oil on canvas, 32¼ by 31¼ inches. Museum of Modern Art, New York.
Gustav Klutsis: Screen-Tribune-Kiosk, 1922/2017, painted wood, metal, and fabric, approx. 14 by 5 by 5¼ feet, with a newsreel film by Dziga Vertov; in “Revoliutsiia! Demonstratsiia!”
