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The Burden of Guilt, 1997-99, decapitated lamb, rope, water, salt and Cuban soil. Courtesy Museo de Bellas Artes, Caracas, Venezuela.
Journalists in the Plaza de la Revolución, Havana, Dec. 30, 2014, where Bruguera organized a performance of Tatlin’s Whisper #6 before being arrested. Photo Adalberto Roque/AFP/Getty Images.
Bruguera holding a copy of Arendt’s book and a dove during the opening session of the Hannah Arendt International Institute of Artivism. Courtesy Studio Bruguera and Yo También Exijo Platform. Photo Kate Flint.
TView of the performance Tatlin’s Whisper #6 (Havana Version), 2009, featuring two people dressed in military outfits, a white dove and disposable flash cameras, at the Centro de Arte Contemporáneo Wifredo Lam during the 10th Havana Biennial. Courtesy Studio Bruguera and Yo También Exijo Platform.
TView of the performance Tatlin’s Whisper #6 (Havana Version), 2009, featuring two people dressed in military outfits, a white dove and disposable flash cameras, at the Centro de Arte Contemporáneo Wifredo Lam during the 10th Havana Biennial. Courtesy Studio Bruguera and Yo También Exijo Platform.
View of a restaging of the 2009 performance Tatlin’s Whisper #6, Apr. 18, 2015, at Tate Modern, London. Photos Oliver Crowling.
View of a restaging of the 2009 performance Tatlin’s Whisper #6, Apr. 18, 2015, at Tate Modern, London. Photos Oliver Crowling.
Bruguera speaking in Foley Square, near the New York County Courthouse, during her project Immigrant Movement International, 2011. Courtesy Creative Time, New York. Photo Sam Horine.
View of Bruguera’s street in Havana, showing (left foreground, with open gate) the Hannah Arendt International Institute of Artivism. Courtesy Studio Bruguera and Yo También Exijo Platform. Photo Pablo León de la Barra.