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Slide 8045

The Burden of Guilt, 1997-99, decapitated lamb, rope, water, salt and Cuban soil. Courtesy Museo de Bellas Artes, Caracas, Venezuela.

Slide 8046

Journalists in the Plaza de la Revolución, Havana, Dec. 30, 2014, where Bruguera organized a performance of Tatlin’s Whisper #6 before being arrested. Photo Adalberto Roque/AFP/Getty Images.

Slide 8047

Bruguera holding a copy of Arendt’s book and a dove during the opening session of the Hannah Arendt International Institute of Artivism. Courtesy Studio Bruguera and Yo También Exijo Platform. Photo Kate Flint.

Slide 8048

TView of the performance Tatlin’s Whisper #6 (Havana Version), 2009, featuring two people dressed in military outfits, a white dove and disposable flash cameras, at the Centro de Arte Contemporáneo Wifredo Lam during the 10th Havana Biennial. Courtesy Studio Bruguera and Yo También Exijo Platform.

Slide 8049

TView of the performance Tatlin’s Whisper #6 (Havana Version), 2009, featuring two people dressed in military outfits, a white dove and disposable flash cameras, at the Centro de Arte Contemporáneo Wifredo Lam during the 10th Havana Biennial. Courtesy Studio Bruguera and Yo También Exijo Platform.

Slide 8050

View of a restaging of the 2009 performance Tatlin’s Whisper #6, Apr. 18, 2015, at Tate Modern, London. Photos Oliver Crowling.

Slide 8051

View of a restaging of the 2009 performance Tatlin’s Whisper #6, Apr. 18, 2015, at Tate Modern, London. Photos Oliver Crowling.

Slide 8052

Bruguera speaking in Foley Square, near the New York County Courthouse, during her project Immigrant Movement International, 2011. Courtesy Creative Time, New York. Photo Sam Horine.

Slide 8053

View of Bruguera’s street in Havana, showing (left foreground, with open gate) the Hannah Arendt International Institute of Artivism. Courtesy Studio Bruguera and Yo También Exijo Platform. Photo Pablo León de la Barra.