Taste Venues 4
Art Club 2000: Untitled (Times Square/ Gap Grunge 1), 1992-93, C-print, 8 by 10 inches. Courtesy Artists Space, New York.
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Taste Venues 1
View of Kirsten Mosher’s installation Gutting Cycle, 1991, outside Pat Hearn Gallery, New York. Photo Tom Warren.
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Taste Venues 2
Image Credit: Chris Kendall Lincoln Tobier: Roger Ailes: A Retrospective in Context, 1992, mixed mediums; in “Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983–2004), 2018, at the Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, N.Y. Photo Chris Kendall.
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Taste Venues 3
Moyra Davey: Newsstand No. 8, 1994, C-print, 20 inches square. Courtesy Galerie Buchholz, New York and Berlin.
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CCS The Conditions Installation 38
View of the exhibition “The Conditions of Being Art,” showing (center) Tishan Hsu: Ooze, 1987, and (left to right, on walls), Mary Heilmann: The Passenger, 1983; Jutta Koether: Roots in the Rhineland, 1995; and Peter Schuyff: Untitled, 1984. Photo Chris Kendall.
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Taste Venues 6
Jimmy DeSana: Submission (Refrigerator), 1979, black-and-white photograph, 191/4 by 151/2 inches. Courtesy Estate of Jimmy DeSana and Salon 94, New York.
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Taste Venues 7
Julia Scher: I’ll Be Gentle, 1991, camcorder and organic fronds, at Pat Hearn Gallery.
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Taste Venues 8
Jack Smith: I Danced With a Penguin, ca. 1983, slideshow. Courtesy Gladstone Gallery, New York and Brussels.
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Taste Venues 9
David Wojnarowicz: Arthur Rimbaud in New York, 1978–79/1990, gelatin silver print, 8 by 10 inches. Collection Estate of David Wojnarowicz. Courtesy P.P.O.W, New York.
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Taste Venues 10
Image Credit: Chris Kendall View of Renée Green’s installation Bequest, 1991, panels of lath siding, door, padlock, and mixed mediums; in “Conditions of Being Art.” Courtesy Walker Art Center, Minneapolis. Photo Chris Kendall.