Alfredo Ramos Martinez: La Malinche, 1940, oil on canvas, 40 by 40 3/8 inches; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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Image Credit: Phoenix Art Museum/© The Alfredo Ramos Martínez Research Project. -
Image Credit: Museum of Modern Art, New York/© 2020 Artists Rights Society (ARS), New York/SOMAAP, Mexico City. José Clemente Orozco: Zapatistas, 1931, oil on canvas, 45 by 55 inches; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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Image Credit: Walter Larrimore Jacob Lawrence: Panel 3 from The Migration Series, From every Southern town migrants left by the hundreds to travel north., 1940–41, casein tempera on hardboard, 12 by 18 inches; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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Philip Guston: Bombardment, 1937–38, oil on composition board, 42 inch diameter; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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Jackson Pollock: The Flame, 1934–38, oil on canvas mounted on fiberboard, 20 1/2 by 30 inches; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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Philip Evergood: American Tragedy, 1937, oil on canvas, 29 1/2 by 39 1/2 inches; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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Frida Kahlo: Me and My Parrots, 1941, oil on canvas, 32 5/16 by 24 3/4 inches; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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José Clemente Orozco: Pancho Villa, 1931, oil on canvas, 26 3/4 by 19 15/16 inches; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”
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Image Credit: © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico City / Artists Rights Society (ARS), New York. Diego Rivera: Reproduction of Man, Controller of the Universe, 1934; in “Vida Americana: Mexican Muralists Remake American Art, 1925–1945.”