Slide 478

View of Lygia Pape’s installation Ttéia I, C, 2002, gold thread in square forms. Photo Laurent Lecat.
View of Lygia Pape’s installation Ttéia I, C, 2002, gold thread in square forms. Photo Laurent Lecat.
View of Michelangelo Pistoletto’s performance/installation Twenty-two Less Two, 2009, mirrors, wood.
Spencer Finch: Moonlight (Venice, March 10, 2009), tinted gels on windows. Photos this spread Laurent Lecat.
View of Cildo Meireles’s Pling Pling, 2009, six colored rooms, six projections on monitors. Photo Giorgio Zucchiatti, courtesy Fondazione La Biennale di Venezia.
Bottom left, view of Tony Conrad’s “Yellow Movie” series, 1972-73, latex paint on paper. Photo Marcia E. Vetrocq.
View of Palermo’s Himmelsrichtungen (Ordinal Directions), 1976 (reconstructed 2009), four painted glass panels. Photo Giorgio Zucchiatti, courtesy Fondazione La Biennale di Venezia.
Simon Starling: Wilhelm Noack oHG, 2006, purpose-built loop machine, 35mm film projector, 35mm black-and-white film, 4 minutes. Photo Laurent Lecat.
View of Tobias Rehberger’s What you love also makes you cry, 2009, cafeteria and bar. Photo Marcia E. Vetrocq.