Slide 343

Otto Piene: Light Ballet on Wheels, 1965, aluminum drum, 4 wheels, glass, paint, 161⁄2 inches high by 30 inches in diameter. All photos this article, unless otherwise noted, courtesy Sperone Westwater Gallery, New York.

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Installation view of “ZERO in New York,” 2008, showing Günther Uecker’s The White Mill (left), 1964, nails on wood with electric motor, and Moved Field (right), 1965, nails, paint, canvas and wood; at Sperone Westwater Gallery.

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Heinz Mack: Untitled, 1957, synthetic resin on board, 213⁄8 by 16 inches.

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Enrico Castellani: Superficie argento, 1966, acrylic on canvas, 597⁄8 by 1195⁄8 inches. Fondazione Prada, Milan. Courtesy Haunch of Venison Gallery,
New York.

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Piero Manzoni: Achrome, 1958-59, kaolin and creased canvas, 291⁄2 by 393⁄8 inches. Private collection. Photo Galleria dello Scudo, Verona. Courtesy Gagosian Gallery, New York.

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Two “cronotopo” sculptures by Nanda Vigo,
both 1963, and Lucio Fontana’s Concetto spaziale, 1958; in “ZERO in New York.”

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Three monochromes by Yves Klein, all 1960, and
Jean Tinguely’s Radio WNYR, ca. 1962; in “ZERO in New York.”

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Armando: Stacheldraht, 1962, barbed wire on board, 621⁄4 by 481⁄8 by 93⁄4 inches.

Slide 351

Opposite bottom, Henk Peeters: nr 60-11 Pyrografie
(90 walmulehen), 1960, scorched plastic, 331⁄2 by
317⁄8 inches framed.

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François Morellet: 4 Trames 22.5-45-67.5-90, 1959-69, acrylic on board, 311⁄2 inches square.

Slide 353

Arman: Accumulation Lampes Fiat Lux, 1960, Fiat lamps, wood, paint, glass, 157⁄8 by 247⁄8 by 31⁄8 inches.

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