Tandem Press, Madison

Mickalene Thomas, July 1977, 2019, relief, screen print, intaglio, surface roll, archival inkjet, wood veneer, copper and gold foil stamping, chine colle, collage.
Mickalene Thomas, July 1977, 2019, relief, screen print, intaglio, surface roll, archival inkjet, wood veneer, copper and gold foil stamping, chine colle, collage.
Mella Jaarsma, Feeding The Nation, 2019, archival photo print.
Imi Knoebel, Anima Mundi 25-4, 2019, acrylic on aluminum.
Austin Lee, Flowers, 2020.
Liliana Porter, Tejedora, 2017, fabric, figurine, string on wooden base.
Anne Samat, Freedom 6… and to be loved, 2017, rattan sticks, yarns, washers, rakes, PVC chains, home garden utensils and stationary items.
Summer Wheat, Sand Castles, 2020, acrylic on aluminum mesh.
Olga de Amaral, Cuatro paisajes (Modulo C) [Four landscapes (Module C)], 1976–77, wool and horsehair.
Liva Isakson Lundin, To Hold Sway, 2018, stainless steel.
Max Ernst, Soleil jaune, 1964, oil on canvas.
Jeffrey Gibson, The Future Is Present, 2019, glass beads, plastic beads, copper-finished jingles, artiifical sinew, nylon thread, nylon fringe, acrylic felt, poly-fil, rawhide, steel rods, wooden block.
Sheida Soleimani, Iran Heavy, 2019, archival pigment print.
Peggy Ahwesh, Border control, 2019, four-channel HD video.
David Austen, Man falling with Flowers, 2013, oil on flax canvas.
Tracey Emin, There Could Be No One But You, 2019, acrylic on canvas.
Ed & Nancy Kienholz, The Caddy Court, 1986-1987, installation.
Jeff Koons, Antiquity (Manet), 2019, archival pigment print on Innova rag, paper, foil.
Derrick Adams, Self Portrait on Float, 2019, woodblock, gold leaf, collage.
Amir H. Fallah, National Dress, 2019, acrylic on canvas.
Cynthia Daigneault, Elegy (House On Fire), 2019, oil on linen.
Nathalie Djurberg & Hans Berg, One Last Trip To The Underworld (Yellow and Orange), 2019, spray paint on epoxy putty, steel, wood.
Kwame Brathwaite, Untitled (Garvey Day, DeeDee In Car), 1965, archival pigment print.
Rudolf Polanszky, Reconstructions, 2015, cardboard, aluminium, fiberglass, resin, acrylic on linen, in artist frame.
Helen Frankenthaler, Trial Premonition I/II, 1974–75, woodcut.
Caroline Kent, Parade of unlocatable objects, 2018, acrylic on unstretched canvas.
Robert Longo, Men In The Cities, 1979–80, charcoal and graphite on paper.
Gordon Parks, Untitled, Harlem, New York, 1963, archival pigment print.
Gerhard Richter, Ohne Titel, 1989, oil on cardboard.
Sanford Biggers, Pas de Deux, 2016, antique quilt, assorted textiles, burnt cork, charcoal.
Giulio Paolini, Mimesi, 1975, plaster.
Hans Hofmann, Landscape No. 105, 1942, oil on board.
Jeppe Hein, Moon Mirror, 2019, high polished stainless steel, steel motor, LED.
Georgie Hopton, Parliment, 2019, collage and wool on painted paper.