
Lucia Guanaes, from the series “Limiares” (Thresholds”, 2018, digital photography, digital print on cotton paper.
Lucia Guanaes, from the series “Limiares” (Thresholds”, 2018, digital photography, digital print on cotton paper.
Aline Motta, Filha natural #3 (Natural Daughter #3), 2019, digital photography, digital print on cotton paper.
Anna Bella Geiger, Brasil nativo/ Brasil alienígena [Native Brazil/Alien Brazil], 1976–77, 2 of 18 postcards.
Leonor Antunes, vazios, intervalos e juntas (joints, voids and gaps), 2019, wood, brass and nylon wire, installation view at MASP.
Carolina Caycedo, My Brazilian Feminine Lineage of Struggle, from the series “Genealogy of Struggle,” 2018–19, 40 India ink drawings on paper, installation view at MASP.
Carolina Caycedo, My Brazilian Feminine Lineage of Struggle, from the series “Genealogy of Struggle,” 2018–19, India ink drawing on paper
Virgínia de Medeiros, Bety, from the series “Guerrilheiras” (Guerrilla Fighters), 2017, digital photography, digital print on cotton paper.
Lyz Parayzo, Bixinha, 2019, aluminum.
EvaMarie Lindahl and Ditte Ejlerskov, About: The Blank Pages, 2014/2019, 200 books and digitally printed poster on paper.
Windmill Blades Quilt, Pennsylvania, United States, ca. 1980, silk and velvet.
Wedding Shawl, Berber, Egypt, ca. 1900, silk thread on silk voile.
Textile, Great Britain, 1730s, silk thread on silk taffeta.
Marcela Cantuária, Maternidade compulsória (Compulsory Maternity), 2016, acrylic and oil on canvas.
Sallisa Rosa, Série Resistência (Resistance series), 2018–ongoing, offset print on paper.
Serigrafistas Queer, El machismo mata! (Machismo kills!), 2010, silkscreen print on paper
Santarosa Barreto, Brazilv, 2018, neon sign.
Ana Mazzei and Regina Parra, Ofélia (Ophelia), 2018, oil on plywood, painted wood and iron.
Ana Mazzei and Regina Parra, Ofélia (Ophelia), 2018, oil on plywood, painted wood and iron.
Fence Rail Log Cabin Quilt, Pennsylvania, United States, ca. 1890, silk and velvet.
Embroidered Chest Cover, Rabat, Morocco, ca. 1900, silk thread on cotton textile.
Berlin Wool Work Sampler, Great Britain, 19th century, wool thread on cotton textile.
Kaj Osteroth and Lydia Hamann, Staying with the Trouble, 2019, oil on canvas.