From the Archives: How José Bedia Blends Religious Traditions in His Art, and His Life

January 20, 2023 12:12pm

A burnt orange canvas with a whitish half-sphere in the middle atop a dark horizon line, below which the white paint streaks and runs. A tiny human figure and plants are on its surface. — José Bedia: The Island That Died, 1996, acrylic on canvas, 71½ by 103 inches. Courtesy Frederic Snitzer Gallery, Miami

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