Abraham Cruzvillegas's sculptures and installations often hew to a principle he calls "autoconstrucción," which centers on making work collaboratively in an ad hoc fashion with materials at hand.
The great paradox of Hong Kong is that it has no history of contemporary art museums, so much so that some gallerists at Art Basel Hong Kong credit their need for “Please Do Not Touch” signs…
The 1990s in Mexico City saw not only an economic bubble and subsequent collapse of the peso, increasing narco violence, intractable government corruption, and rising income inequality, but also
Best known for his "Autoconstrucción" series, Cruzvillegas often lends use-value to the castoff by calling attention to reclaimed or neglected materials. His 2009 film of the same title documented…