Welcome to Part 3 of ‘How to Fix the Art World.’ If you are just now tuning in, here are the links to Parts 1 and 2, and here’s a little background:
Back in August my staff and I embarked on an…
The question of what a particular museum aims to be is, today, so often preceded by the question of who’s behind its design. The recent construction boom among major American art institutions has resu…
Sotheby’s capped its auction week yesterday with a respectable contemporary day sale that brought in $98 million. With 323 out of 418 lots finding buyers, 80 percent of the works that went on…
When Kazimir Malevich painted Black Square (1915), whose title perfectly explains what it is, painting was pushed further into abstraction than it ever was before. A new show at London’s Whitechap<a href="http://www.whitechapelgallery.org/exhibitions/abstract-art/" rel="nofollow" target="_blank"…
You have to wonder how Ad Reinhardt would feel about his current show, at David Zwirner's 20th Street location in New York, with its walls and vitrines filled with several decades' worth of the arti…
A collaboration between MoMA curators and the Columbia Business School depicts early modernism as a vast social network. It's the latest in a long line of charts showing that no ism is an island