Alexander Calder
The appreciation of any aural nuances in Calder's constructions requires neutral acoustics at the very least.
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Alexander Calder
Small and Heavy Spheres Turn: Christian Marclay Plays a Calder Mobile at the Whitney Museum
A freeform performance accompanied the exhibition "Calder: Hypermobility."
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From the Archives: Jean-Paul Sartre on Alexander Calder, in 1947
Although many of Alexander Calder’s sculptures are meant to move, they’re sometimes presented as still objects, which does them something of a disservice. At the Whitney Museum in New York, an exh…
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Backstory: Family Circus
Alexander Calder's grandson recalls a family visit by the modern master on his way to the opening of his 1964 Guggenheim Museum retrospective.
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All About the Install: On the Art of Hanging Alexander Calder’s ‘Constellations’ at Pace
The working arrangement for “Calder: Constellations”—an elegant, refined, and conscientious presentation of Alexander Calder sculptures at Pace Gallery on East 57th Street in New York—took…
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Summer Preview: Museum Shows and Biennials Around the World
30 shows from around the world to see this season.
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Remember Us?: Around Basel’s Museums During Art Basel
On shows at Kunstmuseum and Kunstmuseum Basel | Gegenwart, Kunsthalle Basel, Schaulager, and the Fondation Beyeler
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From the Archives: The Artist as Jeweler
We went through our archives and found this portfolio of artist-made jewelry from November/December 1967. Renée S. Neu, then the assistant curator of painting and sculpture at the Museum of Modern Art…
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‘An Engineer of Beauty’: Alexander Calder on His Mobiles and the Later Stages of His Career, in 1973
Alexander Calder (1898–1976), whose career spanned more than half a century, continued to reinvent himself well into the later decades of his life. His work was always about motion, literally and <a href="http://www.tate.org.uk/whats-on/tate-modern/exhibition/alexander-calder-performing-sculpture" target="_blank" rel="noopener noreferrer nofollow"…
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