The piers were a world apart from the city, a place for initiations and new experiences, for experimentation and self-invention, for exhibition and for looking.
The peculiar appearance of Forrest Bess, the “pseudo-hermaphrodite” painter, at the 2012 Whitney Biennial still stands out in my memory. The eleven paintings were vivid and haunting, and…
Painter and art historian Jonathan Weinberg remembers the crumbling Hudson River piers of the 1970s and '80s, a zone of gay cruising and maverick art projects, predating today's gentrification and new…