Amanda Church
Ridley Howard
To use the parlance of Herman’s Hermits, there was a kind of a hush that pervaded Ridley Howard’s exhibition, aptly titled “Slows.” The work resonates with a palpable silence that’s hard to pinpoint…
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William Villalongo
The paintings in William Villalongo's exhibition, understatedly titled "Bathing Nymph," depict quasi-naturalistic playgrounds of decadence and depravity, combining so many references and symbols fro…
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Ivelisse Jimenez
The works in "Blind enough to see," Puerto Rican-born Ivelisse Jimenez's solo debut at Diana Lowenstein, explore the notion of empty space and our ideas of how this space might be filled, both psych…
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JJ Peet
A complex hybrid of video and live broadcast coupled with sculpture and painting, JJ Peet’s first New York solo exhibition, “The TV Show,” was an unsettling mix of rough-hewn underground activism and…
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