At Yágul, I too experienced the duress of being naked in the tombs Mendieta occupied for Imágen de Yágul, when I took my clothes off and lay down on the floor of an open crypt in my serio continuum…
This exhibition started with curator Regina Tattersfield's realization that the available material on art made in Mexico using Super 8 film all but excluded women artists.
The clash between entrenched patriarchal attitudes and the newly awakened #MeToo consciousness found some striking counterparts in New York exhibitions such as "The Un-Heroic Act: Representations of…
Pat Hearn and Colin de Land's galleries were deconstructing themselves and received art history in real time, operating in a constant state of autocritique.