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Est. 1902

Ana Mendieta

“Las Superocheras”

This exhibition started with curator Regina Tattersfield's realization that the available material on art made in Mexico using Super 8 film all but excluded women artists.

Taste Venues

Pat Hearn and Colin de Land's galleries were deconstructing themselves and received art history in real time, operating in a constant state of autocritique.

Berlin Biennale

Curator Gabi Ngcobo opens her introductory essay for the catalogue of the tenth Berlin Biennale by invoking an empty pedestal: that which once held a statue commemorating the nineteenth-century…

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