From Marcel Duchamp spinning a roulette wheel in Monte Carlo to Andrea Fraser's analysis of political contributions by museum board members, call it Money Art.
Pat Hearn and Colin de Land's galleries were deconstructing themselves and received art history in real time, operating in a constant state of autocritique.
Hallucinatory uses of language are found throughout SITElines 2018—the final installment in SITE Santa Fe's trio of biennials focusing on art from the Americas.