‘The Enemies Will Be Dismantled’: Artists Reflect on the Legacy of Nancy Spero’s Letter to Lucy Lippard
Xaviera Simmons, Martha Rosler, Andres Serrano and others figure in a film produced by the Archives of American Art.
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Andres Serrano
Then and Now: As Wojnarowicz Is Our Witness
With a Whitney Museum retrospective having just opened, we look back at the artist, his influence, and his milieu.
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A Church of His Own: Andres Serrano on His Provocative ‘Torture’ Series and Keeping the Faith
Photographs of harsh imprisonment are now on view at Jack Shainman Gallery in New York.
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Critical Eye: Personal Boundaries
The traveling exhibition “Art AIDS America,” opening this summer at the Bronx Museum, finds renewed relevance in the culture wars of the 1980s and ’90s, especially the dual political-aesthetic strateg…
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Issues & Commentary: Some American Notes
Assessing the current state of photography in Britain and in the U.S., the author discerns pernicious links among enterprise culture, art-world simulationism, and the homophobic attacks of neoconserva…
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Matisse as ‘The Apostle of the Ugly,’ and ‘Good American Paintings Are Like the Stock Market’
And other excerpts from our coverage 100, 75, 50, and 25 years ago
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Alain Servais: Not Easy To Shock
Brussels-based collector Alain Servais keeps a focus on new media--and his opinions public on social media
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Andres Serrano Piss Christ Still Pissing Off Christians
Serrano's work was at the center of culture wars that raged in the '80s and '90s, and its recent reappearances in the news—a print of the work was attacked in France last year—indicates that 25 year…
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