At a time when the supposed grown-ups in governments worldwide are fomenting turmoil and bigotry, Anne Imhof's fluid and effortlessly cool world offers an alternative idyll.
An early take on the German Pavilion came from a fellow writer who had just walked out: “It’s terrifying, you have to go see it now.”
Indeed, the hit of the Giardini may be Anne Imhof’s Faust, a…
. . . or, more accurately, she’s keeping them in.
One aspect of Anne Imhof’s installation, called Faust, in the German Pavilion is the metal cage, attached to the front of the pavilion, that contains…