Visiting the US in 1966 and 1969, Italy’s controversial postwar Renaissance man, Pier Paolo Pasolini, found a rejuvenating energy in his encounters with fellow filmmakers, artists, writers, and activi…
Almost all of Lynette Yiadom-Boakye’s sitters confront the viewer. The few that turn away, as in the oil-on-canvas Bird of Reason (2009), still read as portraits. Of course, “sitter” and “portraiture…
The somewhat incongruous title of this exhibition, “Geometry of Bliss,” twice belies the paintings that it encompasses. Anj Smith’s mostly small (up to 14 inches on a side) oil-on-linen works burrow…
Comprising photographs, drawings and works on canvas of all sizes along with framed newspaper clippings, handwritten notes and rubber stamps, this exhibition ranged in scale from the minuscule to the…