Technology was supposed to be our big gender ender, at least according to Donna Haraway’s influential 1985 “Cyborg Manifesto.” Haraway imagined that machines might obviate biological reproduction…
Launched in 2015, ARTSTAQ bills itself as a sort of NASDAQ stock exchange for art. By applying the principle of a standardized index measure to artists and their work, the London- and…
With so many shows about art and the Internet lately, it’s hard to remember a time when it was unexpected that artists would ever rely on machinery and electronics, but, in 1971, when the Los…
The January-February 1968 issue of A.i.A. includes an expansive three-part feature about technology’s impact on art. All of the sections were authored by Douglas Davis (1933–2014), who explored the…