Plus, "Vermeer and the Masters of Genre Painting" at the National Gallery, Mark Bradford at the Hirshhorn, and more
On 'Soul of a Nation: Art in the Age of Black Power,' Lubaina Himid, Thick/er Black Lines, and more.
There are passive portraits, where subjects blankly look off in the distance, and then there are Barkley L. Hendricks’s paintings. His subjects, many of whom are black, stare directly at viewers, <a href="/art-news/news/barkley-l-hendricks-whose-tender-and-immaculate-portraits-define-an-age-dies-at-72-8142/" target="_blank" rel="noopener noreferrer nofollow"…
“No artist deserves anything,” Barkley L. Hendricks said in an interview in 2008. “Van Gogh didn’t get squat in his lifetime.” At the time, the 63-year-old was at the start of a career…
The National Academy Museum & School has announced its newly elected members for 2013, a group of artists and architects chosen for their significant contributions to contemporary American art and…
The politics of style and race are cross-wired in Barkley Hendricks's vivid figurative paintings.