Skip to main content

Berlin

Emily Wardill

From Hitchcock in Rear Window to Wenders in Paris, Texas, filmmakers seeking to make their medium reflect on the way film both attracts and deceives its audience have often begun by suggesting…

Andrea Crespo

Earlier in the development of online community, it was easier to imagine the Internet as a space where we’re sprung from our bodies, able to dissimulate our identities or unlink them from attributes l…

John Armleder

Inappropriately enough, in the 1980s, John Armleder was briefly associated with the Neo-Geo movement. The geometric idiom in painting is chiefly a means of closing down the arbitrariness of subjective

Oliver Laric

Laric has excavated moments of transformation found in what the gallery describes as “over 100 years of animated film and videos.”

Ken Okiishi

American artist Ken Okiishi’s second solo show at Mathew, “Eggleston und Andere, ‘reality bites,’ made numerous art historical references while at the same time attempting to free itself from them.&nbsp…

Thomas Zipp

Thomas Zipp's art evinces a romanticism that its postmodernist methods designate as obsolete. It is a paradox his irony strives to justify. 

Newswire