In "Strategic Vandalism: The Legacy of Asger Jorn's Modification Paintings," curators Axel Heil and Roberto Ohrt framed Jorn's practice of détournement as a kind of ground zero for various strains of…
Pink text snaked in tight, meandering rows across human figures in the fifty-one recent paintings on paper in Betty Tompkins's second solo exhibition at P.P.O.W.