Artist, writer, and former A.i.A. editor Brian O'Doherty visits the Neon Museum in a now transformed Las Vegas, searching for the great roadside signs he lauded in a 1972 article.
Arguing that urban sprawl is the dominant growth paradigm of the present and future, the author advocates a close examination of dynamic, amorphous metroplexes like Phoenix and Dubai.
It’s fairly common knowledge that Patrick Ireland, the artist, and Brian O'Doherty, the art critic, are one and the same person. Far less known are the story and the political stance behind this doubl…
Now that the modernist era (1848– 1969?) is over, many of us are camped around the exit of that vertiginous tunnel peering back in and reporting to each other what the passage through—squeezed by the…
Virtually from the start of his career, Brian O'Doherty has partnered images and texts in works that explore the limits of visual information and the susceptibility of that information to being…
Brian O'Doherty lives in New York, and his home phone has been out of order since Sandy struck. But the critic and artist--best known for his book Inside the White Cube: Ideologies of the Gallery Sp…