In much the same way that Charles Dickens's writing brought to life the roiling—and frightful—humanity of London in the 19th century, Gilbert & George have used the city as the main subject in their…
Real estate developer-turned-philanthropist-turned artist Janna Bullock takes on the power elite in the Putin regime in her exhibition debut, "Allegories & Experiences," attempting to expose them fo…
"Still" seems like a paradoxical title for Ryan's McNamara's solo exhibition at Elizabeth Dee Gallery, which the artist has set up as a carnivalesque Sears portrait studio. The show is part of the a…
"Rock 'n' Roll Show: Unrealised Projects for Children and Boutique Architecture," Dan Graham's new exhibition at Hauser and Wirth Zurich [opens Feb. 11], features Eleven Sugar Cubes (1970–2012), a…
In "Life Drawings, Poseurs, and ‘thirteen oil paintings on canvas,'" the ambitious solo debut by New York-based Greg Parma Smith at Balice Hertling & Lewis, the artist takes on the history of painti…
"Marble Sculpture from 350 B.C. to Last Week" and "Portraits/Self-Portraits from the 16th Century to the 21st Century," currently on view at Sperone Westwater, Gian Enzo Sperone's gallery with Angel…
Nick Van Woert's cavernous studio in Greenpoint, Brooklyn, is filled with all manner of good, clean fun, including a foosball table and a work surface that converts to a ping pong table. Walking thr…
For 37-year-old, New York-based artist David Altmejd, sculptures, like human bodies, generate a certain energy. Altmejd's current show, at the Greenwich, Conn., Brant Foundation-established by Brant …
Improbably, "In The Name of the Artists: American Contemporary Art from the Astrup Fearnley Museum of Modern Art," a show of 219 works curated by Gunnar Kvaran, the director of the private Norwegian…
"Pacific Standard Time: Art in L.A., 1945–1980," a monumental exhibition opening in part this weekend at the Getty Center, means to remind the world that Los Angeles was an unofficial center of art…