Combining fleshy silicone and spindly nickel-plated steel rods in strangely alluring ways, the sculptures in Hannah Levy's show, "Pendulous Picnic," suggested the elegant fantasies of a paraphiliac.
Is it ironic, or simply appropriate, that Hugh Scott-Douglas, an artist whose work has often taken up the flows of twenty-first-century capital as its theme, is the poster child for the vagaries of…
There's something radically unassuming about N. Dash's work. In the fourteen spare, often multipartite paintings in her show at Casey Kaplan, she applied subtle formal techniques to panels composed…