War movies perform a clever trick: they create coherent, digestible narratives out of incomprehensible violence. Christian Marclay inverts this cinematic alchemy in his video, which premiered at this…
There's an element of the company flaunting its ability to do with the snaps what it wishes, testing boundaries with Marclay as cover.
The video, '48 War Movies,' involves precisely that, screening on loop in a menacing haze of violence.
The presentation harnesses the sounds and images of social media posts to create immersive sound installations.
A freeform performance accompanied the exhibition "Calder: Hypermobility."
The first trip Ursula Block took to New York was in 1974, and the occasion included spending time in a gallery with Joseph Beuys and a live coyote. The most recent visit came just a few weeks ago—for…
Ralph Rugoff is director of the Hayward Gallery in London. He recently curated the 13th Lyon Biennale, on view through Jan. 3, and is currently organizing a group show featuring video work that…
Two thousand fifteen was destined to be the year of Robert Zemeckis since at least 1989, the same year a frizzy-haired scientist and his baby-faced protégé set the clock forward to October 21, 2015…
It is perhaps unsurprising that Marclay’s latest exhibition at White Cube, following the success of The Clock (2010), conveyed an air of “after the party” dissipation. …
The National Academy Museum & School has announced its newly elected members for 2013, a group of artists and architects chosen for their significant contributions to contemporary American art and…