Forms of Labor: “Maternar” at the Museo Universitario Arte Contemporáneo
A sprawling show considers the ethics, economics, and entanglement of productive and reproductive work.
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Claire Fontaine
Curries, Stews, and an Abramovic Aphrodisiac: Admir Jahic and Comenius Roethlisberger Discuss Their Book of Artists’ Recipes
A few weeks ago, the Swiss Institute finally managed to buy grasshoppers for an upcoming event. The following night, the New York institution was going to host the United States book…
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‘Claire Fontaine: Love Is Never Enough’ at Air de Paris
Pictures at an Exhibition presents images of one notable show every weekday
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An Artist Selects: Matthew Weinstein in New York
If I had a spirit animal, it would probably be a toaster. So the cloud of spiritual incense that floats around in Stephen Mueller‘s paintings has always prevented me from enjoying them. My…
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Roving Eye: International Festivals
Galveston, Texas, on the Gulf of Mexico, is a 45-minute drive from Houston. It was the state's first capitol, and though it's been wiped out by numerous hurricanes, it clings on resiliently.
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Ruba Katrib
During Art Basel Miami Beach, MOCA Associate Curator Ruba Katrib put together a quiet, sophisticated show about getting back into the studio (and presumably, out of the market). Timed to the opening o…
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Claire Fontaine
In the context of the abysmal global economy, the latest solo show of Claire Fontaine is disturbingly relevant. Titled “Feux de détresse,” or “Warning Lights” (like those on an automobile), it was con…
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