Organized by New York–based art historian and curator Reiko Tomii, "Radicalism in the Wilderness: Japanese Artists in the Global 1960s" surveys experiments with the dematerialization of the art…
Andrew Norman Wilson's exhibition at Document featured his video, which tells the story of a man with a curious relationship to Kodak and dramatizes the fractious genealogy that only tenuously binds…
Though Eric N. Mack describes himself as a painter, his primary medium is fabric. One might say he works in the tradition of Robert Rauschenberg, who expanded painting's formal range to include…
The diverse range of work in "Irrespective," which viewers encounter in galleries filled with the background audio-wash of her videos, makes it clear that what really underlies Martha Rosler's art is…
A paranoiac's map of doomsday Los Angeles was the opening salvo in Catherine Opie's exhibition "The Modernist."
The printmaker and collagist Zarina Hashmi, who goes by her first name, is one of the foremost figures of South Asian art.
The concept of self-care has its origins in the Civil Rights and feminist movements. However, these radical roots have been obscured by the contemporary wellness industry, which promotes elite forms…
The twenty-one mixed-medium paintings in Didier William's two-venue exhibition—the most ambitious showing of his work to date—were primarily large, more than seven feet long or tall in some cases…
Ashbery's collages were in fact an integral part of his writing practice, shedding light on the nature of his idiosyncratic poetic technique.
Sable Elyse Smith resists the more typical narratives of US prisons in favor of a conceptual approach that prioritizes quotidian (albeit personal and traumatic) encounters with the system.
