COllage
“Radicalism in the Wilderness: Japanese Artists in the Global 1960s”
Organized by New York–based art historian and curator Reiko Tomii, "Radicalism in the Wilderness: Japanese Artists in the Global 1960s" surveys experiments with the dematerialization of the art…
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Andrew Norman Wilson
Andrew Norman Wilson's exhibition at Document featured his video, which tells the story of a man with a curious relationship to Kodak and dramatizes the fractious genealogy that only tenuously binds…
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Sense of Style
Though Eric N. Mack describes himself as a painter, his primary medium is fabric. One might say he works in the tradition of Robert Rauschenberg, who expanded painting's formal range to include…
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Martha Rosler
The diverse range of work in "Irrespective," which viewers encounter in galleries filled with the background audio-wash of her videos, makes it clear that what really underlies Martha Rosler's art is…
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Catherine Opie
A paranoiac's map of doomsday Los Angeles was the opening salvo in Catherine Opie's exhibition "The Modernist."
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Zarina
The printmaker and collagist Zarina Hashmi, who goes by her first name, is one of the foremost figures of South Asian art.
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“Group Therapy”
The concept of self-care has its origins in the Civil Rights and feminist movements. However, these radical roots have been obscured by the contemporary wellness industry, which promotes elite forms…
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Didier William
The twenty-one mixed-medium paintings in Didier William's two-venue exhibition—the most ambitious showing of his work to date—were primarily large, more than seven feet long or tall in some cases…
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Whispers out of Time: John Ashbery’s Collages
Ashbery's collages were in fact an integral part of his writing practice, shedding light on the nature of his idiosyncratic poetic technique.
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