Throughout her fifty-year practice, Ruth Hardinger has infused Conceptual and Post-Minimal aesthetics with a greater concern for the relationships between land and materials.
In Theaster Gates's latest work with readymades, hardware store goods stand out not as art themselves, but disguised as other works of contemporary art.
In 1971, Neke Carson went to Leo Castelli Gallery, placed a piece of black paper on the floor, and tousled his hair over it to collect a smattering of dandruff.
Adrian Piper has taken care to explain that her work in philosophy, her "day job," as she writes, is not a mirror image, in another guise, of her work in visual art.
The Mexico-City-based conceptual artist Minerva Cuevas explores the ways in which seemingly banal items like fruit, chocolate, and water reflect the practices and ideology of global capitalism.