In her last film project, the late artist Ellen Cantor mixed documentary and soap opera genres to expose the perversity of US support for the Chilean dictator Augusto Pinochet.
In his 4½-minute film Foe (2008), artist Brendan Fernandes addresses the camera nonchalantly as he reads and rereads a selected text from J.M. Coetzee's novel of the same name. Included in the…
Having installed a multicolored luminescent dance floor, Untitled (Dance Floor) (2000), on MoMA's outdoor terrace in 2000, the Polish-born artist Piotr Uklanski took to a supplementary leaflet to…
For his 1999 solo exhibition at the Museum Ludwig Köln—situated, appropriately, inside the pop collection—Johannes Wohnseifer put 16 monochromatic panels on the floor, each with a pedestals and an Ad…
Beginning this past Wednesday, five pianists take turns playing the fourth movement of Beethoven's Ninth Symphony upside down in MoMA's vast atrium. For the museum's hourly re-staging of Jennifer Allo…
One of two works in Tino Sehgal's recent exhibition at the Guggenheim in New York featured one male and one female actor, straddling one another on the museum's rotunda. As they changed positions, his…
Eschewing direct film manipulation for in-camera editing, Amy Granat's "The Sheltering Sky" shares a proclivity for literary narrative with her Drew Heitzler collaboration T.S.O.Y.W. (2007)…