David Joselit
From the Archives: Tim Rollins Goes From Dead End to Avant-Garde, in 1988
"We're going to make a painting—and we're going to make history."
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From the Archives: Exhibiting Gender
In honor of Women's History Month, we looked back in our archives for this article by David Joselit from our January 1997 issue, in which Joselit appraises two exhibitions that approached the ques…
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From the Archives: Poetics of the Drain
On the occasion of Robert Gober's retrospective at New York's Museum of Modern Art, A.i.A. delved into the archives. In our December 1997 issue, art historian David Joselit argued that Gober's…
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Image Processors: Networks, the Internet, and Pictures at ‘Co-Workers’ in Paris
For Nøne Futbol Club's Work nº2B: La tonsure (after Marcel Duchamp), 2015, the French artist duo convinced retired soccer star Djibril Cissé, famous online for his coifs—an electric-blue landing…
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Painting, IRL: New Show in Munich Aims to Revise the History of Postwar Painting
The curators of a new exhibition titled "Painting 2.0: Expression in the Information Age," which runs at Munich's Museum Brandhorst through April 30, aim to do no less than "revise the history of…
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From the Archives: The Power of the Portraitist
The portraits of Peter Hujar are extraordinary in their refusal to mask the moment of giving in.
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Newswire
RobbReport
Lenny Kravitz and Lisa Bonet’s Former Venice Beach Compound Lists for $7.8 Million
WWD
U.S. Suspends Punitive Airbus Tariffs on British Luxury Imports
Rolling Stone
‘WandaVision’ Is a Love Letter to TV — And a Reminder of How to Do It Right
Sportico
Bleacher Report Joins Blockchain Frenzy With NFTÂ Sale
SPY