David Levine's exhibition "Some of the People, All of the Time," features a timely, anxiety-inducing Brechtian meta-performance that risks being too clever.
Imagine stumbling into a room suffused with faces-winking, chins held erect or cocked to one side, a stray lock of hair tucked behind an ear, eyebrows neatly groomed or akimbo, laughter piercing purse…
What's wrong with art-history textbooks? As publishers churn out revisions, the College Art Association is asking if the old standards are relevant to today's students.