From the Archives: 13 Key Shows in Mary Boone Gallery’s History
Reflections on formative exhibitions for Barbara Kruger, Ai Weiwei, David Salle, and more.
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David Salle
David Salle Touches God in Seldom-Seen Paintings Going to the Parrish Art Museum
Three works commissioned to commune with the Sistine Chapel have found a new home.
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An Expansive Legacy: Remembering Malcolm Morley
Despite having secured a place in the canon, Malcolm Morley remains something of an enigmatic cult figure.
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Developer Installs Giant David Salle Prints on McKim, Mead & White Building in New York
Find the large-format prints on the facade of a building at Fifth Avenue and 28th Street.
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Memory Banks
What these works express is less a coherent critical position than a shared sense of dispossession. In this way, "Brand New" feels like less a historical survey than a field report of the current…
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Photo Play: The Story of the Pictures Generation
Arriving in New York from Los Angeles, Buffalo and beyond, several loosely affiliated cohorts met and mingled with artists native to the city, traded ideas, shared allegiances and became a "generati…
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School of Presentation: David Salle on Art Direction and Its Discontents
The following is an expanded version of a lecture delivered in the early 2000s. When I was a kid of seven or eight, there was a TV show called Ripley's Believe It or Not! I remember being…
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From the Archives: Picabia, the New Paradigm
“Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction,” which opens to the public Monday at New York’s Museum of Modern Art, presents a fascinating account of the chameleon painte…
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Then and Now: Picabia, Grasshopper of Modern Art
Experimenting first with Impressionism, then Pointillism, and then Cubism and Dada, Francis Picabia (1879–1953) made himself impossible to categorize. On the occasion of his October retrospective at…
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