What these works express is less a coherent critical position than a shared sense of dispossession. In this way, "Brand New" feels like less a historical survey than a field report of the current…
A veteran of the AIDS-activist group Gran Fury, Donald Moffett relates how, since the early 1990s, he has produced paintings made with cake-decorating tools, monochromes serving as screens for sociall…
In remembrance of the Stonewall Riots that took place on June 26, 1969, catalyzing the modern LGBTQ movement, Holland Cotter spoke to twelve queer artists for our June 1994 issue. "As a direct result…
Returning to "Greater New York" a few days after the Paris attacks, I found myself moved by the main themes underlying the exhibition: our city in particular and urban life in general; and the emergen…
Some of the worst weather of the winter didn't keep collectors away from the Seventh Regiment Armory building on Manhattan's Upper East Side last night for the opening of the ADAA's annual fair, The…
Paris, a work by Sheila Hicks, hangs on a wall to the right of the fireplace, over my desk. The piece (10 by 5 inches, 1987) is small and sheer. See-through. It appears to be made from a single thread…
In "The Radiant Future," Donald Moffett presented 12 new works completed in 2011-12, many of them hybrid objects that problematize the relationship between painting and sculpture. Although Moffett m…