Ed Atkins
Ed Atkins’s New Work Shows that His Real Medium Might Be Poetry
While Ed Atkins's videos play with the dissonance between the very human scenes they depict and their hyperreal computerized rendering, their most striking elements are the monologues he crafts for…
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The Year in Screens: The Defining Moving-Image and Digital Works of 2019
From Hito Steyerl's latest solo show to a 14-and-a-half-hour film, these are the screen-based works that defined this year.
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Broken Links: The Internet Show
Museums keep taking up the relationship between art and the internet as a theme for group exhibitions, while neglecting to examine it with historical rigor.
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‘The Word Gallery Is No Longer Elastic Enough’: Gavin Brown on His New York Reopening
Like many of New York’s noteworthy gallerists—think Leo Castelli, or Larry Gagosian—Gavin Brown is a transplant to the city. Brown, who has shown such artists as Piotr Uklański, Urs…
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At BAM’s Migrating Forms Film Festival, Internet-Obsessed Millennials and War-Torn Countries Collide
A look at the seventh edition of the annual showcase for video and experimental film
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Image Processors: Networks, the Internet, and Pictures at ‘Co-Workers’ in Paris
For Nøne Futbol Club‘s Work nº2B: La tonsure (after Marcel Duchamp), 2015, the French artist duo convinced retired soccer star Djibril Cissé, famous online for his coifs—an electric-blue…
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Bodies in the Expanded Field: Animation at the Hirshhorn
“I am the mouth that produces waves,” intones a disembodied pair of lips, half-submerged in a rippling lagoon. “My words are the vibrations that produce waves of pressure and displacement.” When visit…
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Editor’s Letter: ARTnews October 2015
The Trick Brain, a video by the British artist Ed Atkins, has haunted me since I first saw it at the 2013 Venice Biennale. In it, the camera pans a room packed to the gills with tribal…
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