Letter from Guest Editor Antwaun Sargent
For Art in America's New Talent issue, Sargent took the opportunity to realize a decade-old fantasy: to make an art magazine along with other Black writers and critics.
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Editor’s Letter
Editor’s Letter
Disputes about the distribution of arts funding within New York may come across as parochial outside the city. But the centralization of cultural resources is also taking place on a national scale…
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Editor’s Letter
Artists included in major biennial exhibitions, like the ones opening in Venice and at the Whitney Museum in New York this month, can find themselves subject to countervailing expectations. These…
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Editor’s Letter
It's hardly possible to imagine Donald Trump and the crowds who gather at his rallies finding much to value in the contemporary art that is discussed and celebrated in these pages. Still, Trump's…
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Editor’s Letter
Writing in the nineteenth century, British art critic John Ruskin argued that an artist's work is invariably shaded by his moral fitness.
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Editor’s Letter
In "The Creative Act," a short essay from 1957, Marcel Duchamp argues that artmaking is never truly a solitary activity.
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Editor’s Letter
Though we publish this magazine every month for readers of the present, it's also true that we are producing a document for posterity.
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Editor’s Letter
Though much maligned, the white cube offers something singular: an environment for presenting and contemplating new forms and ideas.
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Editor’s Letter
The social gains of the postwar period were not bestowed by especially generous plutocrats. People fought for the city they wanted.
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