Yves Tessier’s paintings, ten of which were on view in this exhibition, feature stylized figures that have been reduced to essential elements yet retain a vitality and distinct presence. His favored m…
Lee Lozano’s name is inextricable from her caustic personality and the series of radical performative acts she carried out after a decade as a painter.
Ginny Casey’s paintingsoften cast objects and human forms in allegories for making. On view in her recent exhibition at Half Gallery, for instance, The Potter’s Legs (2014) depicts a purple-fleshed…
For its tenth season, the Crossing the Linefestival, presented by the French Institute Alliance Française, included films, dance, and interdisciplinary pieces performed across such disparate…
Harold Rosenberg noted in 1964 that by appropriating past styles and tropes an artist “‘flattens out time’ by bringing its successive layers forward into a durationless present.” In the paintings, col…
For this debut solo exhibition, Oregon-born, New York–based artist Jessi Reaves demonstrated her omnivorous approach to making sculptural furniture, offering viewers an assortment of pieces that incor…
Concurrent exhibitions at Susan Inglett and James Cohan offered a comprehensive look at California-based painter Lee Mullican (1919–1998). In San Francisco in the early 1950s, Mullican and fellow arti…
The traveling exhibition “Art AIDS America,” on view at the Bronx Museum of the Arts, coincides with other shows and events that can be seen as augmenting its perspective by giving additional…
Farideh Lashai’s retrospective—spanning five decades and occupying all three stories of Bait Al Serkal, a nineteenth-century home-turned–exhibition space in downtown Sharjah run by the Sharjah Art Fou…