The film is based on the true story of Joseph and Rebecca Bau whose wedding in the Plaszow concentration camp was depicted in Steven Spielberg's "Schindler's List."
Wilson plays the fictional Carl Nagyl, Vermont's top TV painter, who bears a striking resemblance to Ross.
The film is a far cry from the Ocean's Eleven–type heist film that many moviegoers might expect
Arranging strips of film into quilt-like compositions, Sabrina Gschwandtner revitalizes the work of forgotten women filmmakers.
An idyllic look into a bohemian artist's retreat premiered at the Rotterdam International Film Festival today.
It is the biggest show devoted to the acclaimed filmmaker staged outside Japan.
The virtual edition of the New York African Film Festival highlighted the perspectives of African women, whether as directors or protagonists.
The recently appointed associate director of the Indigenous program at the Sundance Institute discusses cultural diversity in film, along with related interests.
Originally, the works incorporated live soundtracks or performances and were shown in places like the Tokyo disco Killer Joe's.
Kahn has frequently portrayed contemporary civilization as a wasteland, but No Go Backs may be her starkest treatment of the theme to date.