From the Archives: No Regrets
An art critic looks back on the hard-won achievements of feminist art and the current state of its legacy.
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from the archives
From the Archives: Projects for Playgrounds
Fifty years ago, artists and architects reenvisioned the potential for playground design through the National Playground Sculpture Competition.
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From the Archives: A Planned Coincidence
Dore Ashton, a prolific champion of the Abstract Expressionist movement, died on January 30 at age eighty-eight. Ashton was one of the most influential voices of the New York School, authoring over th…
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From the Archives: Japan’s Gutai Group
Where does play end and art begin? The interest in such questions, largely fostered by the 2013 exhibition “Gutai: Splendid Playground” at the Guggenheim Museum in New York, has now prompted a resurge…
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From the Archives: Poetics of the Drain
On the occasion of Robert Gober's retrospective at New York's Museum of Modern Art, A.i.A. delved into the archives. In our December 1997 issue, art historian David Joselit argued that Gober's…
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From the Archives: Painters Playing Cards
In the April 1963 issue of A.i.A., A. Hyatt Mayor, then curator of prints at the Metropolitan Museum of Art, introduced designs for decks of playing cards by George Biddle, Jacob Lawrence, Richard…
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From the Archives: Report from New York—The Graffiti Question (1982)
So far, graffiti has managed to thrive on controversy, making a name for itself on insults and praise alike.
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From the Archives: The Museum of the Third Kind
In which the author envisions new directions for the art museum as audiences change, architecture evolves, institutions subdivide and electronic resources expand our capabilities and expectations.
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From the Archives: Art and the Mass Audience
Museums—public collections dedicated to preserving, researching, exhibiting and occasionally cultivating what they collect—are modern institutions responding to modern needs.
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