Geoffrey Farmer’s exhibition at the Venice Biennale, “A way out of the mirror,” runs in, through, above, and around the Canadian pavilion. It is moving, strange, and a little frightening, and…
. . . or, more accurately, she’s keeping them in. One aspect of Anne Imhof’s installation, called Faust, in the German Pavilion is the metal cage, attached to the front of the pavilion…
For his Canadian Pavilion at the 2017 Venice Biennale, Geoffrey Farmer will once again return to his interest in the relationship between people and their pictures. In an installation titled A…
The archive has been the inspiration and the raw material for many artists and curators, but few approach it with the dedication and whimsy of the Vancouver-based artist Geoffrey Farmer. Farmer, who w…
Geoffrey Farmer's recent exhibition at REDCAT evoked some of the messier, more perverse doings of the 1960s and '70s. The title, "Let's Make the Water Turn Black" (perhaps a reference to excretion o…