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Harald Szeemann

Biennale De Lyon

IN AN ERA when curators and institutions have to anticipate that the public for an exhibition may exist partly—or even primarily—online, with many viewers encountering a show through images posted…

Re-Creating Sturtevant

Critically neglected for a decade, Sturtevant reemerged in the 1980s as the mother of appropriation art—and as a veteran painter with a surprising penchant for making wry and lively videos.