Iwona Blazwick Steps Down as Director of London’s Whitechapel Gallery After Two Decades
She had been a transformative force at the space, which she expanded in 2009.
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Iwona Blazwick
‘Bad Girls’ to the Rescue: An Exhibition of Feminist Art from the 1990s Has Much to Teach Us Today
Read an excerpt from Curatorial Activism: Towards an Ethics of Curating.
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Helen Cammock Wins Max Mara Art Prize for Women
Following a six-month residency in Italy, the artist will have a solo exhibition at Whitechapel Gallery in London.
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Shortlist Announced for This Year’s Max Mara Art Prize for Women
The Whitechapel Gallery, Collezione Maramotti, and Max Mara announced the shortlist for this year’s Mara Art Prize for Women yesterday. The prize is given biannually to a United…
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Taking the Measure of Sexism: Facts, Figures, and Fixes
Despite encouraging signs of women’s improved status and visibility in the art world, there are still major systemic problems. Do not misunderstand me: women artists are in a far better…
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Arab Spring: Modern Middle Eastern Art Finds a New Audience in the West
One recent morning, art historian Nada Shabout was telling me about her search for a graduate program two decades ago. “When I contacted universities and said I wanted to work on modern Arab…
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East of and Late to Eden
One July afternoon in 1993, the 23-year-old founder of London gallery Factual Nonsense, Joshua Compston, staged an eccentric street fair called A Fête Worse than Death in the heart of Shoreditch. It c…
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Race to Erase MS Gala 2023: Ashlee Simpson, Alessandra Ambrosio, Kathy Hilton and More Stars Support Multiple Sclerosis Benefit
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