• Reviews

Beastly and Banal: Kathleen Henderson at Track 16

Drawing on myth and folklore, Kathleen Henderson's drawings portray human folly and critique contemporary abuses of power.

• By
  Leah Ollman
• Jul 6, 2022 5:36 pm

• Reviews

Of Masks and Men: James Ensor at Gladstone Gallery

Rather than face the man in the mirror, James Ensor painted grimacing masks and grinning skeletons that riled, shocked, and symbolized his viewers.

• By
  Alex Weintraub
• Jan 5, 2022 4:30 pm

• Reviews

One Work: Eva Beresin’s “Fixing It”

Eva Beresin's fable-like tableau of humans and animals infuses a simple gesture with a sense of urgency and allegory.

• By
  Leah Ollman
• Aug 19, 2021 1:07 pm

• Reviews

“Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings”

In "Strategic Vandalism: The Legacy of Asger Jorn's Modification Paintings," curators Axel Heil and Roberto Ohrt framed Jorn's practice of détournement as a kind of ground zero for various strains of…

• By
  Jane Ursula Harris
• Jun 1, 2019 9:02 am

• ARTnews

Muses: Chef Ignacio Mattos, of Estela and Flora Bar, on Richard Serra, Francesca Woodman, and Baking Ceramics

The culinary star is the author of a new cookbook titled Estela.

• By
  The Editors of ARTnews
• Jan 25, 2019 1:40 pm

• Reviews

James Ensor

Born in 1860 to a British father and Flemish mother, Ensor lived in the Belgian seaside town of Ostend for most of his life, apart from the three years he spent at the fine art academy in Brussels. Th…

• By
  Elizabeth Fullerton
• Dec 19, 2016 4:22 pm