"What should we think when we encounter stereotypes in museums? What if some artists were—from the perspective of the politically correct 1990s—racists?"
With an unusual gerund for a title, “Unholding” dwelled in the tension between the tenses used to describe Indigenous presence. “We were here”: prior occupancy. “We are still here”: survivance. “We…
Jonathan Griffin responds to Ashley Holland (Cherokee Nation) and America Meredith regarding his feature on Jimmie Durham from Art in America's May 2017 issue.