In his latest film, John Akomfrah gives visual and historical shape to the traumas of this decade—pandemic, police violence, oppression—without blurring their forms.
John Berger, the perspicacious and politically engaged art critic, novelist, and essayist whose 1972 BBC television series and book Ways of Seeing remains a cornerstone of venturesome
Giorgio Morandi’s spare still lifes usually feature only a few objects, many of which tend to be in shades of beige or off-white, and prefigure the work of the Minimalists and Light and Space…